Beatlemania having swept over the world in the sixties is far from an over exaggeration, as we all know. But to find out that in 1964 Fidel Castro declared a nationwide ban of the Beatles’ music really puts into perspective the influence and reach music can have.
Castro saw the”fab four” as a symbol of the “vulgar consumerism” he resented and thought of the British band as “a tool of capitalist America”. Regardless of the ban, their music still made its way to Cuba’s youth underground, and two years late in 1966, the ban was lifted, although it still took some time for Cuba to allow all its people to embrace the rock and roll craze. In 1971 the Beatles show was aired for the first time over Cuban airwaves, but tension still remained towards the new culture of the 60s and 70s.
However, on December 8th of 2000, the 20 year anniversary of John Lennon’s assassination, a statue was unveiled on a park bench at 17th and 6th street in Havana park, also known as “John Lennon Park”. Somewhere in those 30+ years, John Lennon grew on even communist rebel Fidel Castro. Whether this actually stands as symbol of musical freedom in the new era of the Fidel rule is still up to debate among Cuban musicians, for Havana park didn’t get its British nickname along with the unveiling of the statue. This story actually begins months prior with a group of Cuban musicians.
Jorge Dalton recalls his participation in the original tribute to the icon in an article of the Havana Times. A group of Cuban musicians and other artists had the idea to pay tribute to the band and “right the injustice that the banning of the Liverpool Four in Cuba during the 60s and 70s had meant”. With the support of the National Committee of the Young Communists League, Cuban Radio and Television Institute, and various other members of the community, the group of artists planned to pay tribute on the roof top of the Habana Libre Hotel at the same time as a film festival as an ode to the Beatles rooftop concert in England in 1969.
Everything was planned out and seemed to have the green light, until the actual day came. The National Committee of the Young Communists League withdrew their support and deemed the concert “inappropriate” and the Communist Party Leadership, relayed through the National Committee of the Young Communists League, said the concert was not to be authorized.
Although the group of artists attempting the concert greatly dwindled in size and lost the support of the Cuban Radio and Television Institute, who were going to supply broadcast and audio equipment, the few remaining musicians persevered and decided to try Havana Park next.
News spread about the reattempt at the concert and the park was packed with people before they even started setting up. Rushed, unrehearsed, and improvised, the band began the tribute. Jorge recalls “pulling electricity directly from streetlamps and people’s houses”, and even nearby police couldn’t help but join in, “The park was also surrounded by a long cordon of police officers, who ended up singing Yesterday, A Hard Day’s Night, Come Together and Let It Be along with us”. The tribute ended with Hey Jude after one musician, Carlos Varela, “took the microphone and proposed baptizing the park with the name of John Lennon”.
When Fidel presented the statue of Lennon at the park only months later, party leaders and members of the Cuban Radio and Television Institute who had tried to stop the concert prior were even present at the unveiling.